Tuesday, November 27, 2012

Secret Enemy of the Pianist - Do You Know What It Is?


You've been practicing your recital piece, and you know it really well. You love playing it over and over again. You realize that you are able to play it really fast! You must be amazing at it to be able to go so fast! Every time you walk by the piano, you quickly play your recital piece. Really fast! It's so fun to play it fast like that!

STOP!

NOOOOO!

DON'T DO IT!!

What do I mean, stop?

I mean, STOPPP! Don't play your piece fast!! It's the worst thing you can do before a recital, and I can prove it.

Try going to the piano and playing your piece slowly after you've been whipping out lots of fast run-throughs. Go ahead and try! Notice anything?

I will GUARANTEE you that you will make lots of mistakes and say something like, "I can't play it slow. I need to go fast." If I had a dollar for every time I've heard that, I would be able to buy a second home on the beach.

Why does this happen? Aren't you better at a piece if you can play it fast? Why does it matter that you can't play it slowly?

Your fingers and arms have muscle memory. This muscle memory was developed when you were playing your piece slowly. Now you can fly through your piece because of muscle memory. But when you slow it down in performance, and you feel nervous, this WILL NOT WORK. Your muscle memory is not reliable when you are nervous...especially if you've been confusing it by playing fast all the time.

If you really want to play your recital piece fast and wow all of your friends and relatives, wait until AFTER the recital to do it. Before the recital, you need to make yourself play slowly and carefully. Pay attention to what you're doing instead of mindlessly running through your piece. You'll be SO GLAD you did when you are able to play well in the recital. 

Trust me on this. 

Here's an article on another blog about this very thing: Is Slow Practice Really Necessary?

Pianist's Fingernail Quiz

One of the things that used to bug me as a teenager was that I had to have short fingernails for piano. As we approach recital time, it's sort of incumbent upon me, as the responsible party, to inflict this same misery upon my female piano students. Why would I do this to you? Because I want you to play your piece the best you possibly can in the recital.

So how short should your nails be? They should be short enough that when you tap the ends of your fingertips on a table, the only thing that touches the tabletop is skin. That's really short. I hear you. I don't bug you young ladies about fingernails very often, but I have to lay down the law at recital time. 

Now, let's take a quiz. Look at the pictures below and decide if the length is just right or too long. 

Ready? Set? Go!















Answers:
Just right
Just right
Too long
Just right
Too long
Too long
Too long
Too long
Too long
Just right
Just right
Just right
Just right
Just right (borderline)

Thursday, November 22, 2012

Why I'm Thankful for You


Why I'm Thankful for You
"You" represents many different "you's"

  • Your tiny fingers are adorable when they try to play a B Major pentascale.
  • You get really excited about learning to play things you've heard before.
  • You like to put upside-down smiley faces on those stick people in A Dozen a Day.
  • Sometimes you can't wait to tell me what happened at school.
  • You make me laugh inside when you're not trying to.
  • You smile the biggest smile when you have a surprise to show me.
  • You think you can sneak up on me when you arrive for your lesson.
  • You say, "Already?" when your lesson is over.
  • You color in the squares of your 1000-Minute Club meticulously.
  • Your bio is hilarious.
  • You play your favorite piece over and over and over again.
  • You bring me rocks you find outside because they're beautiful.
  • You wear your best dress to the recital.
  • You succumb when your mom makes you wear a tie to the recital.
  • If I play a fast scale, you say, "How did you do that!"
  • You care about other kids.
  • You've had the same pink sequined piano bag since you were a little girl.
  • You order more than you can afford for dinner on a field trip.
  • You didn't want to have a week off from scales that time you earned it.
  • You stood up and cheered like you were at a football game when we won Battle of the Studios.
  • You don't realize I've heard "Heart and Soul" before when you show me how to play it.
  • You said my house is always clean.
  • You don't believe people really live here, since it's a school.
  • You say, "Play it as fast as the metronome will go."
  • You gave me a music bracelet for Christmas and said, "I bet your husband won't give you something that good."
  • You asked if you could have a sleepover here.
  • You used to say that you were going to marry both of my boys.
  • You gave me a big hug after your group lesson.
  • When a little student leaves after his lesson, you start playing his piece.
  • You say to your friend, "Oh, level two! I remember that!"
  • You asked me if I was the same lady that cuts your hair.
...and there are lots more reasons I'm thankful for you. :)

Happy Thanksgiving!

Sunday, November 18, 2012

Six from The Piano School earn "Superior" Ratings


The Virginia Music Teachers Association (VMTA) Fall Festival was last Saturday, November 17, at Hollins University. Six students from The Piano School performed, and all six earned "Superior" ratings. Congratulations, you guys! I would be proud of you no matter what, but it is fun to see all of those high marks. Now we can focus on the recital! :)

Friday, November 16, 2012

Sparky's Magic Piano

Okay, kids, gather round. Here are links to an audio story called "Sparky's Magic Piano." It was produced by Capitol Records in 1947. It's really old. Back in 1947, kids didn't watch TV. They listened to the radio. You might enjoy listening to this as a bedtime story with your Ma and Pa. :) It's in three parts, and the whole thing takes about 20 minutes.








Thursday, November 15, 2012

How to Break a Piano Teacher's Heart

This is tough post to write. But I think it's worth writing. I'm not trying to single any one person out, so I will speak in general terms that can be understood by all.

Question: Why is it that some parents seem to care more about literally everything than about their child's piano studies? Why do these parents hold on to a spot in my studio while more eager parents sit patiently on the waiting list? And why do parents like this spend large amounts of money on piano lessons? It is perplexing and disturbing to me.

Here's why I'm taking pains to write about it...

A child is a person full of potential and promise - a person who deserves an adult in his/her life who is interested in developing that potential and providing a supportive environment for growth and positive reinforcement. In a perfect world, every child would have this kind of support, and I'm happy to say that most of my students are blessed with it.

A piano teacher is generally a caring individual who loves working with children. Like all people, her time is valuable, and she probably spends a great deal of it on professional and personal development in order to become a better teacher for her students. She thinks they deserve that.

I understand that for many adults, there is no reference point in their lives that informs them on how to be good piano parents. They didn't take piano lessons as children, so they don't get it. They might have a decent context for how to be supportive in their child's academic pursuits or in sports, but they really don't know anything about music study, so they just leave that up to the professionals. I get that.

But a lack of musical experience doesn't explain the parent who never reads his/her child's lessons notes. It doesn't explain why piano books are not brought to lessons. It doesn't shed light on why practice videos are never viewed. And it doesn't explain a complete lack of awareness that there is some role for parents to play between lessons. Being a good piano parent involves more than writing checks and transporting a child to my studio.

Why do I get frustrated when parents fall short in this regard? Because unless they suffer from a mental illness, a learning disability, or are going through some sort of family crisis, they ought to know better. I really don't keep parents in the dark about what I expect. If parents have no clue about what is going on in their child's lessons, it is because they don't care to know. What else can I conclude?

Consider these factors:

  • A signed studio policy is required for registration. This statement outlines exactly what I expect of students and parents as well as what they can expect from me. If a parent signs this without reading it, I can only surmise that he/she does not care to know what it contains.
  • Weekly lesson notes are emailed to parents after every lesson. This takes time on my part. I do it to keep parents informed so that they will know exactly what their child should be doing and how they can help that along. If a parent does not know what is in those notes, what conclusion can I draw besides the one previously stated. The parent must not care to know.
  • Suppose a family's Internet connection is down, and they cannot receive email. Every child has an assignment book containing clear instructions on what should be practiced. What is there to prevent a concerned parent from consulting the assignment book at home?
If this article seems harsh, believe me - I feel it. I am questioning whether to publish it as I write. The title of the post is enticing enough to prompt a click from even the most disinterested parent, so I have hope that some good might result.

I'm not exaggerating when I say that my heart sometimes breaks for the children I teach. I have had little ones show up for piano with absolutely no idea that they missed an important event during the week. Their parents were repeatedly notified to no avail. I have had children come to lessons without once having had access to a piano since their last lesson. I have had children come to piano with books mangled to the point that they were unusable. There have been times that a child has come to lessons with such poor personal hygiene that the piano room had to be sprayed for odor and the keys wiped clean of grime before the next lesson could proceed. There have been parents who have pulled their children from a recital with just a few days' notice because of a spur-of-the-moment weekend getaway or a belief that recitals are "showing off." This has happened more than once in my studio with children who were excited about performing pieces they had worked on for weeks or even months.

Yes, my heart can be broken.

Some of you may wonder why I don't just let students like this go. In my entire time as a piano teacher, I have only let one child go. That was in a case of extreme disrespect from a parent. I was sad for the student but had to make the difficult call to end the family's association with my studio. In the vast majority of troubling cases, I keep the child because I care about him or her. As disturbed and overlooked as I sometimes feel by the actions of a parent, I continue working with the child in order to be a supportive adult in his/her life. 

But I don't want to be a hero. I want parents to open their eyes and see the time of their children's youth slipping through their fingers. I want them to put other things on hold in order to make the most of this important moment in their child's life. I want parents who have never given their kids' piano lessons a single thought beyond paying the tuition and dropping them off to show an interest. Seriously...any interest. 

It is inevitable that some of the best parents I work with will wonder if I am talking about them. Please know that if you show even a small amount of consistent interest and concern and are even somewhat aware of what your child does each week in piano, I am not referring to you in this post. 

I sometimes find myself at a loss for what to do. I recently confided in another piano teacher about one of the dear children I teach, and this teacher actually cried. I suppose my goal with this post is to get a few parents' attention.

Let me close with this request. If you clicked on this post out of curiosity and are convinced that you could do better as a piano parent, please do not post a humorous comment or email me and ask if I am writing about you. Instead, start reading your child's lesson notes. Make sure your child has an instrument to use at home. Try to pay attention. I know you're busy, but I also know you love your child. It's not too late to do better, so just do it.



Highlights of the VMTA Fall Conference


Members of the Virginia Music Teachers Association gathered for their annual conference at Shenandoah University November 8-11. With a theme of "The Well-Rounded Music Teacher," the event featured workshops on topics ranging from inspiring practice to understanding "contemporary" music (we still use that term for music composed in the Twentieth Century) to improvising during lessons. I was privileged to be a presenter at this year's conference with a program called "The Best-Known Little Music School in Town." My focus was on promoting the activities of the independent studio by utilizing community newspapers, Facebook, YouTube, and blogging.

Here are some of my favorite moments from the conference:
Kenneth Lee
Kenneth Lee gave a wonderful lecture on inspiring practice. He raised some interesting points that I had not recently considered:

  • The student's instrument at home is either a motivator or a hinderance.
    • He encouraged teachers to make home visits.
    • Teachers might be shocked at the quality of instruments their students have at home.
    • If a child loves the sound he is able to produce with his piano, he will probably practice more than a child who can't stand the sound.
  • Children need to learn how to slow down their minds and focus on their music while they practice.
    • This is not easy. Young minds are used to constantly changing stimuli.
    • Focusing activities are often helpful at the beginning of lessons, but they need to be done at home as well.
      • A mirror near the piano can help focus as well as make the student aware of his posture.
      • Spending 6-8 minutes on simple drills can help prepare the mind for practice.
      • Listening to a metronome (ugh!) for a moment or two can help focus.
  • To love practice (I love that!), students need five things:
    • Focus on a small enough scope
    • Skill level of material not too easy or too hard for peak involvement
    • Clear and unambiguous feedback.
    • Timelessness. You lose yourself in practice and lose track of time.
    • Unselfconsciousness. Sometimes a student must be left alone.
  • Practice can be an end unto itself. There doesn't need to be a performance coming up.
Here's a quote from Kenneth Lee that really resonated with me.
"The problem with education today is that students are taught a set of questions and answers. They are not taught to think. I believe our job is to rectify that."


Johnandrew Slominski, DMA
 Johnandrew Slominski did a very interesting presentation on piano transcriptions. A transcription is basically an arrangement of a musical work that might originally have been intended for a singer, an orchestra, or some other instrument. Dr. Slominski performed examples of several transcriptions, including one of the Bach organ Toccata in D Minor which he wrote himself. A crowd favorite was his performance of the Earl Wild transcription of Gershwin's "Embraceable You."


I volunteered to improvise with Forrest Kinney, because that's how I roll.
Forrest Kinney's workshop was on improvisation. He's a great improvisor and arranger, and you might be interested to know that he has been invited to play at Bill Gates' home twenty-one times. What a great personality he was! There were kids "dragged in off the street" to improvise with him, and after his presentation, his books, Pattern Play and Chord Play disappeared from the vendor's display before I could get my hands on copies.

My favorite Forrest Kinney quote:
"For an extra five bucks, I'll show you the professional fingering."

Lynne Mackey, DMA
Lynne Mackey is a tiny powerhouse of a pianist. She did a presentation on twentieth century music complete with a performance Roger Sessions' Second Sonata and Frederic Rzewski's Winnsboro Cotton Mill Blues. For the latter, Mackey wowed us by repeatedly using her elbow and forearm on the keys.

Contemporary music is often difficult to comprehend, and it can sometimes come across as downright ugly to the listener. In that light, I concurred with a point Mackey made:
"Sessions believed that the key to understanding contemporary music was in repeated hearing."
That's kind of what my husband keeps trying to tell me about Jimmy Eat World.


Alexandre Dossin
The recital hall at Shenandoah was full for Alexandre Dossin's recital. What an eloquent performer!


Dr. Brooke Dezio, guest teacher for The Piano School's
2013 Masterclass for Middle and High School Students

Dr. Lise Keiter was The Piano School's guest teacher
for the 2011 Masterclass for Middle and High School Students

Teachers from the Roanoke Valley at the VMTA Conference


Monday, November 5, 2012

Meet The Piano School's January Intern

Pianist Naomi Fukuda

I am excited to announce that The Piano School will have a talented intern in the studio during the month of January, 2013! She is Naomi Fukuda, a pianist from Japan, who is a sophomore music major at Hollins University.

On Sunday afternoon, Ms. Fukuda performed the first movement of Mozart's Piano Concerto No. 16 in D Major along with the Valley Chamber Orchestra. She was terrific!

Fukuda performing with the Valley Chamber Orchestra

Her piano teacher at Hollins is Melia Garber, whom you may remember reading about on this blog recently. Ms. Garber was also Laura Woodrum's teacher. Some students will recall that Woodrum's senior recital was a field trip for The Piano School last spring.

Melia Garber and Naomi Fukuda

Many thanks to Dr. Judith Cline, chairperson of the Music Department at Hollins for helping us make Naomi's internship a reality. She is fully supportive of our partnership and believes the internship will be a great experience for Naomi. No doubt, it will be fun for all of us!

Naomi Fukuda and Mrs. O'Brien

Friday, November 2, 2012

Wednesday was weird!

Is it just me, or did my students look really creepy on Wednesday? 











When is my next lesson?


SCHEDULE FOR LESSON 9

Monday students: November 12
Tuesday students: November 13
Wednesday students: November 14
Thursday students: November 15
Friday students: November 16

Music Learning Community: You have an account!


The Piano School has a group account at Music Learning Community. Every student has his or her own username and password which gives access to hundreds of online music theory games.

Sometimes, you will have specific online assignments to complete before your next lesson, but you are always free to logon and play any music games you like!

Here are my favorites:

  • Meteor Match
  • Letterfly
  • Rhythm Rally
  • Practice Buddy
  • Pattern Reading
  • Grand Staff Pattern Reading
  • Storm Chasers
  • Jingle Notes
  • Bumble Keys
  • Songbirds Major & Minor
  • Grand Staff Guide Notes
  • Page Turner Keyboard
  • Float-a-Note Pentascales
  • 60-Second Club
  • Climbing High
  • Sticky Stockings
  • Alpha Steps & Skips
  • Step Right Up
  • Interval Rockets
  • Undersea Intervals
  • Alpha Order Up
  • Alpha Order Down
  • Finger Finder
  • Hand Prints

Many of these games are divided into several levels, but some are specifically geared to early beginners or more advanced students. If you find one of these in your level, give it a try. Tell me which games are your favorites!

Group Lessons Thanksgiving Week


Group Lessons will replace Private Lessons
during Thanksgiving week.

We will have five group lessons during Thanksgiving week. All classes will be scheduled on either Monday, November 19, or Tuesday, November 20. 

You will receive an email inquiry soon asking for your input concerning scheduling. I will use the information you provide to schedule each class at a time that suits the majority. If you cannot make your own class, I encourage you to attend the next closest age-group class instead. 

Group classes are one hour long. Parents should drop children off at the beginning of the hour (not more than 5 minutes early, please) and pick up at the end of the hour (we will end on schedule, so please be on time).

Here are the classes by age group:

PRODIGY CLASS (Students who were not yet eight years old by September 2012)

BACH CLASS (Students who were 8 years old by September 2012)

BEETHOVEN CLASS (Students who were 10 years old by September 2012)

BRAHMS CLASS (Students who were 12 years old by September 2012)

BARTOK CLASS (Students who were 14 years old by September 2012)

Agenda for this semester's classes:
  • Music Games
  • Students share title and composer of their recital pieces
  • Recital étiquette
  • Group picture
  • Prizes






What to do when your piano teacher is away...


There are no piano lessons from November 5 to November 9. When I tell kids about this, they either go, "Awww...why??" or they get all happy and go, "Yes!"

While I'm away at the Virginia Music Teachers Association (VMTA) Fall Conference, I'm hoping that my wonderful students will be faithfully practicing their recital pieces and assignments. Please don't be like that lazy cat up there!

Here are some things you should do until your next lesson:

  • Practice 4-6 days each week.
  • Make extra progress on your recital piece.
  • Think about how much you miss your piano teacher.
  • Practice your scale(s).
  • Email your bio (if you are one of those who didn't turn a bio in at Lesson 8)!
  • Memorize the title and composer of your recital piece (for our group classes Thanksgiving week).
  • Send postcards to my hotel.

Got it?

See you when I get back!

Friday, October 26, 2012

Three Easy Steps to Becoming a Great Practicer


What's the difference between soccer practice and a piano lesson? Let's see, we don't kick things at piano lessons. What else? How many days a week do you have soccer practice (or volleyball, or lacrosse, or basketball, or football)? Several, probably. How many piano lessons do you have each week? ONE.

At soccer practice, you likely practice soccer for the first time since the last practice. But your piano lesson definitely should not be the first time you practiced since your last lesson. There should be four to six piano practices at home between your lessons.

Be honest with yourself. Do you have your assignment book open to the current week between your piano lessons? Do you check off items as you practice them? If you do, great! You're on the right track, and you probably earn lots of practicing stars. If not, it's time to make a new habit. If you do some work with your assignment a little each day, it is pretty much guaranteed that you will progress quickly in piano and earn lots of practicing stars for it.

Your assignment sheet looks like this.
Do you check it at home?

A good way to build a good piano practice habit is to think of piano as part of your daily homework routine. Here are THREE EASY STEPS to help you build this habit:
  1. As soon as you get home from piano, put your music books on the piano. Put your assignment book there as well, and make sure it is open to the current week's assignment.
  2. Practice everything on the list. It doesn't have to take a lot of time. Just play everything on the list. After a week of doing this, your practice time will add up!
  3. Save TV, game, or computer time until AFTER piano practice is done.
Are your books on your piano?
No? Run and get them out of your piano bag!

Wednesday, October 24, 2012

How to write a great bio.


We have a long traditional at The Piano School of featuring student-written bios in every recital program. Here are a few tips for writing a great bio:
  1. Complete all questions. There is a bio form just before Lesson 1 in your assignment book. You will notice that there are a few fill-in-the-blank questions preceding the space for your bio paragraph. Don't leave these blank.
  2. Talk about what you really like. These bios will be treasures to you one day as they will provide a glimpse into your mind at several points throughout your growth. One day you will laugh at some of the things you used to be interested in or your career ambitions as a very young child. 
  3. Show your personality. Are you a funny person or a serious one? Do you like to speak in foreign languages? Do you like to use certain words that are uniquely yours? Go ahead and showcase these things in your bio. 
  4. Don't try to impress anybody. Your bio should be all about you...not about what you think other people want to hear. Do you like bacon more than anything? Do you collect toilet paper rolls? Do you wish you were a monkey? Do you want to be a famous explorer? Tell us about it! (These are things that students have actually written in the past, and they are great!)
  5. Don't say "undecided" for your career ambition. Of course, you will not have to actually embark on the career that you list in your bio, so don't worry about choosing one thing now and another 6 months from now. That's part of the fun!
  6. Do not restate information from the preliminary questions in your paragraph. The fill-in-the-blank questions that precede your paragraph will include your name, age, school, parents' names, and career ambition, so don't begin your paragraph with that same information. For example, "My name is ___, and I am ___ years old. I go to _____ school, and I want to be a ______ when I grow up." Instead, focus on other aspects of who you are.
  7. Hobbies. Special Interests. Recent Experiences. Favorites. These are all perfect things to explore in your bio paragraph. No item is too trivial if it is important to you.
  8. If you email or type your bio, remember to answer the preliminary questions! These are: Name, Age, School, Parents' Names, and Career Ambition. The paragraph following these questions should be about 60 words long. The other day when I reminded a student about this, she said, "But you already know how old I am!" I answered, "Yes, but all of my students' ages get lumped into a giant student casserole in my head, and I forget." Actually, I can look up your age, but please save me that time and include it with your bio.
  9. Younger students may dictate their bios. If a student is too young to write out his/her own bio independently, an adult may take dictation. Just be sure to capture the child's actual voice and wording!
One more thing to remember. Your bios will be collected during the entire time you study piano with me. If you remain an active student until your high school graduation, I will share highlights from some of your bios at your final spring recital. There's something to look forward to!

Tuesday, October 23, 2012

The Piano School wins Battle of the Studios, Round 3

Group photo showing students from both
The Boles Studio and The Piano School. 

The team scorekeepers announce the results:
The Boles Studio: 62% turnout; The Piano School 68% turnout

We did it! Thirty-one students from The Piano School came out for Battle of the Studios, Round 3. It was a close contest, and every student counted. If three of you who participated had stayed home instead, we would have lost! Congratulations to all of those who contributed to the victory! It was a fun afternoon. Here are a few highlights:



Our emcees rehearsing before the program


Special sound effects during the Pirates selections 







The Bragging Rights Trophy
belongs to all of us!